What's On 2025

Please note that performances in 2025 will be either at the Cygnet Theatre, Exeter or Mathews Hall, Topsham. Check carefully that you will be going to the correct venue before setting off!

January 30th : Simon Spillett (Sax) - Cygnet Theatre

Over his twenty-five year career Simon Spillett has worn almost as many hats as it's possible to wear within jazz; multi-award-winning instrumentalist (BBC Jazz Awards, British Jazz Awards, Jazz Journal's Album of The Year), quartet and big band leader, recording artist, author, historian, record producer, archivist, magazine columnist and latterly blogger.

However, for all these varied skills he identifies most strongly as a powerfully swinging, straight-ahead tenor saxophonist, one capable of taking the audiences who hear him on a roller-coaster ride encompassing everything from energetic bebop to heartfelt balladry.

And it’s in this guise that he’s become a solid fixture on the UK jazz landscape, regularly playing sold-out gigs at major festivals (EFG London Jazz Festival, Brecon, Swanage, Scarborough, Wigan etc.) and world famous club venues (Ronnie Scott’s).

A charismatic performer, gifted with a dry observational wit, he’s never lost sight of the fact that jazz is entertainment as much as self-expression and whether playing, writing or articulately holding forth on his favourite subject – UK jazz history – he’s an infectiously passionate communicator.

Buy Tickets to Simon Spillett

February 27th : Matt Hopkins (Guitar) - Cygnet Theatre

Matt Hopkins is a jazz guitarist renowned for his inventive and melodic playing across a diverse range of musical projects. He has collaborated with notable artists and ensembles, including Andy Sheppard’s Hotel Bristol and Emily Wright & The Royals, showcasing his versatility and commitment to the jazz genre.

As a leading figure in the "Music of Pat Metheny" project, Matt performs alongside acclaimed pianist Dave Newton, delivering interpretations that capture the essence of Metheny's work. His role in the Hopkins-Hammond Trio further highlights his adaptability, blending guitar seamlessly with organ and drums to explore the dynamic range of the organ trio format.

Beyond performance, Matt is a dedicated educator specializing in jazz improvisation, sharing his expertise with aspiring musicians. His contributions to the jazz community extend to live performances at venues such as Jazz at Future Inn, where his solos have been described as "amazing," reflecting his skill and passion for the art form.


March 27th : Dave Newton (Piano) - Cygnet Theatre

Growing up in Renfrewshire, Scotland, Newton had a musical upbringing with the piano trio sound of Peterson, Tatum or Garner an ever-present feature in the Newton household.

After graduating from Leeds College of Music in 1979 David Newton freelanced around Yorkshire and eventually became a resident musician at the Stephen Joseph Theatre in Scarborough for two and a half years. A move to Edinburgh followed where theatre work using local musicians quickly led to an established position on the Scottish jazz scene but after some four years there, his old roommate from college, Alan Barnes, persuaded him to move to London where he rapidly became a much sought after pianist teaming up with Barnes, guitarist Martin Taylor and saxophonist Don Weller.

Newton’s recording career had begun in 1985 with Buddy De Franco and Martin Taylor and his first solo album was released in ’88 in association with producer Elliot Meadow who oversaw the next nine years of recording for Linn Records followed by Candid Records. Once again, in 1997, David Newton and Alan Barnes teamed up and together with Concorde Label agent Barry Hatcher, made four CDs for that label. By 2003, Newton had learned a great deal of the ways a record company operated and he set up a business partnership with former pupil Mike Daymond and they established “Brightnewday Records” initially as a vehicle for Newton’s own music but with an eye to opening up the catalogue to other artists later on.

In the first five years of the nineties, Newton’s reputation as an exquisite accompanist for a singer, spread rather rapidly and by ’95 he was regularly working with Carol Kidd, Marion Montgomery, Tina May, Annie Ross, Claire Martin and of course Stacey Kent, with whom he spent the next ten years recording and travelling all over the world. While all this was going on, Newton was composing music which he would record on his own CDs as well as writing specifically for Martin Taylor, Alan Barnes, Tina May or Claire Martin and Newton’s music can now be heard on many television productions, especially in the United States where over twenty TV movies benefit from Newton’s haunting themes.

In 2003, after a twenty year gap, David Newton was reunited with playwright Alan Aykbourn having been involved with eight world premiers in Scarborough and London back in the early eighties, and he was asked to write the music for two new productions, ‘Sugar Daddies’ and ‘Drowning on Dry Land’. Currently, with the release of a new CD called “Portrait of a Woman”, on the ‘Brightnewday’ label, David Newton is relishing the musical freedom of his Trio and the special sound it makes whilst working on two other new recording projects, as an arranger and a composer.

David Newton was made a Fellow of Leeds College of Music in 2003 and in 2019, was voted ‘Best Jazz Pianist for the sixteenth time by the Jazz audience of the UK in the British Jazz Awards!


April 24th : Sam Crockatt (Sax) - Cygnet Theatre

Sam Crockatt has been immersed in jazz since the age of 10, starting on clarinet with early influences like Louis Armstrong, Sidney Bechet, and Jimmy Noone. A switch to saxophone soon followed, drawing him to the music of John Coltrane, Sonny Rollins, and Wayne Shorter—a turning point that cemented his passion for the art form.

A graduate of the Royal Academy of Music, Sam has performed at prestigious venues across the UK, including Ronnie Scott’s, The Royal Albert Hall, The Jazz Café, and The Sage Centre. His international appearances include six performances at the Paradise Jazz Festival in Cyprus and teaching at the Global Music Foundation Summer School in Tuscany, where he worked alongside US piano great Edward Simon. Sam has also graced festival stages such as Brecon Jazz, where he played alongside Pete King and Julian Argüelles.

Known for his lyrical tone and imaginative improvisation, Sam’s critically acclaimed albums, including Mells Bells and Howeird, showcase his talent as a composer and bandleader. Whether on stage or in the studio, Sam Crockatt continues to inspire audiences with his vibrant, soulful approach to jazz.


June 26th : Joanna Eden (Vocals) - Mathews Hall

Joanna Eden is an acclaimed English jazz singer, songwriter, and pianist celebrated for her original compositions and interpretations of jazz standards. Born in Lincolnshire to a musical family, she began piano at six, composed her first song by seven, and earned a degree in Creative Arts before immersing herself in London’s vibrant jazz scene.

Her debut album, A Little Bird Told Me, launched at Ronnie Scott’s, and her follow-up, My Open Eye, was re-released globally by Universal, earning praise from critics and airplay on BBC Radio. Joanna has performed at top venues, including The Stables and Pizza Express Jazz Club, and supported high-profile acts such as Jamie Cullum, the Buena Vista Social Club, and Ronan Keating.

Praised by Mojo magazine for her “melody, mystery, and bite,” Joanna’s six albums span jazz, soul, blues, and bossa nova. Beyond performing, she is a passionate educator who mentored a young Sam Smith. With her heartfelt lyrics, warm stage presence, and world-class musicianship, Joanna continues to captivate audiences and cement her place in contemporary jazz.

Buy Tickets to Joanna Eden

July 31st : Greg Abate (Sax & Flute) - Mathews Hall

Greg Abate jazz saxophonist, flutist, composer continues as an International Jazz/Recording Artist with 225 days a year touring the globe. In the mid 70’s after finishing a four year program at Berklee College of Music, Greg played lead alto for the Ray Charles Orchestra for 2 years. In 1978 Greg formed his group Channel One which was a favorite in the New England area and from there had the opportunity to play tenor sax with the revived Artie Shaw Orchestra under leadership of Dick Johnson from 1986 to ’87. Following this experience Greg ventured out as post hard bop soloist playing Jazz Festivals, Jazz Societies and Jazz Clubs throughout the U.S. Canada and abroad, including most of Europe, UK, and Moscow and Georgia Russia.

Buy Tickets to Greg Abate

September 4th : Byron Wallen (Trumpet) - Cygnet Theatre

Byron Wallen was raised in a musical family, and as a child studied classical piano, euphonium, trumpet, flute and drums. In the mid 1980’s the trumpet became Wallen’s primary instrument of choice.

Wallen’s study of cognitive psychology has aided his transition towards conceptualising music as a medium for healing. Wallen raises awareness and invokes change by unlocking boundaries through the nature and science of sound.

Widely recognised as a seminal figure in Jazz, Wallen is an acclaimed writer and producer whose original scores have been commissioned by the Science Museum; PRS, The BBC, Jerwood Foundation, Southbank Centre, National Theatre, Arts Council, FIFA and Sage Gateshead. He has also composed soundscapes for Universal Pictures, Warner Bros and Game of Thrones.

Wallen’s current PRS for Music Foundation commission, ‘Anthem for Woolwich’, forges new links between schools, venues, musicians and residents to strengthen the resilience and promote the cohesion of the community.

Wallen has received the BBC Jazz Innovation award (2003) and has been nominated several times for the MOBO award.


Welcome

The Blue Vanguard is a monthly jazz club dedicated to bringing the finest national and international guests to our home town of Exeter.

The club has run successfully since September 2011 and has a loyal following. If you would like to subscribe to our email list we will be more than happy to keep you informed of future gigs held at the club. Please message us at admin@bluevanguard.co.uk with the word 'subscribe' in the header. Our contact form is not currently working for reasons currently beyond our control.

Book Now

To reserve your seat please use the ticket links included below the specific artist information above.

Tickets for unreserved seats are available for cash purchase on the door.

All tickets are £15 (£10 students). 

For 2025 we are using two different venues :

For gigs at the Cygnet Theatre doors are open from 7.00 with performance times from 7.30 - 10.00

For gigs at Mathews Hall doors are open from 7.15 with performance times from 8.00 – 10.30.


Please note that it is no longer possible to reserve a seat without advance purchase.

The Blue Vanguard Trio :

Craig Milverton - Keys

Pianist Craig Milverton's main influences are Oscar Peterson and Bill Evans and his jazz interest was spawned by his fathers record collection, initially the Boogie Woogie pianists and then Oscar and Ella. Craig began performing in public as young as 10 years of age. He moved to Devon in 1985 and began gigging with local rock 'n' roll and jazz funk groups.

Since then Craig has toured extensively with a wide variety of groups including Junkyard Angels, Roger Mark's Quintet, the Pete Allen Jazz Band, Pizza Express International Band, the Kings of Jazz, Clarinet Maestros (with Julian Stringle & Ken Peplowski) across the UK, Europe and beyond.

In 1997, he joined Digby Fairweather's Half Dozen (releasing a CD '12 Feet off the Ground' in 1999) and from 2002-2007 was the backing unit for the late George Melly, recording 3 acclaimed CD's and including 4 month long residencies at Ronnie Scotts.

The year 2003 saw him on the front cover of Jazz Journal International with a feature article and his CD, 'It's a Jazz Life', was CD of the month in The Observer.

In 2005 his trio CD 'Three Flow' was reviewed by Richard Palmer (Biographer for Oscar Peterson's 'A Jazz Odessey') and was his choice for CD of the year for Jazz Journal International. For 4 years from 2003-2007 he put on his own 'Hayne Barton Jazz Festival', where he featured the cream of British Jazz Talent from across the entire jazz spectrum including support for artistes from the Southwest.

As well as being involved with Digby Fairweather's projects, he has many of his own groups. His latest show 'A Tribute To Oscar Peterson' with his Quartet paying homage to Craig's greatest inspiration (CD' Live At The Lights'). 'ZZ Bop', a more contemporary Quartet featuring American Bassist Tom Hill (CD 'Josies Bosie'). 'Organsolar' a Hammond based Quartet featuring Top Tenor man, Ian Ellis (CD 'Live At Hayne Barton'), and the Dale/Milverton Quartet with Plymouth based Tough Tenor man, Martin Dale (CD 'From Hand To Mouth').

Visit Craig's website for more

Al Swainger - Bass

Al Double Bass

Bassist Al Swainger relocated to Bristol in 2016 but continues to support the Blue Vanguard club as part of the house trio's monthly gigs. He is also a composer, improviser, producer, digital artist and FX enthusiast. His eclectic tastes have led to making music in a wide variety of genres over the years with literally hundreds of musicians. Covering ground from traditional to modern jazz, pop to progressive rock and world music to fully improvised soundsculpture, Al is always keen to explore new musical territory.

Notable recording projects as a band leader include The Art Trip : the Music of Art Pepper (featuring Alan Barnes), Biophosmos : The Music of Chick Corea and several albums (including After & Before and Outer Planets I & II) with Al Swainger's Pointless Beauty featuring his own compositions, covering a wider range of styles from latin to ambient to prog rock. A new album 'Hearts Full of Grace' released in June 2022 featuring Gary Alesbook, Ant Law, George Cooper & Jon Clark.

As well as his own projects Al continues to perform live regularly with the Michele Drees Tap Project, Digby Fairweather's Half Dozen, Kick Ass Brass and The Blue Vanguard House Trio.

Visit alswainger.com for more info on Al as a freelance bassist or pointlessbeauty.com for more on Al's work as a composer, bandleader and creative improvisor.

Coach York - Drums

House drummer Coach York started playing at school in various prog rock bands, moving on to Art College and discovering funk and jazz. The Northampton scene where he grew up was heavy with R'n'B and trad jazz bands which was a useful training ground. He then served a long apprenticeship grinding up and down the country with some reasonably well-known soul bands. The late seventies and early eighties saw the explosion of the 2-Tone scene in Coventry where he joined the Ska/Reggae band The Army, later The Resistance, sharing studios and promotion with the Specials, Selecter and Bad Manners, with modest success, and recorded a critically-acclaimed album with former members of the Goth band Bauhaus.

Modern jazz has always been a passion, and over the years he has worked extensively with most of the top names on the British Jazz scene, accompanying people like Peter King, Jim Mullen, Bill Le Sage, Don Rendell, Alan Barnes, Iain Ballamy, Mike Outram, Simon Spillett, Roger Beaujolais, Jean Toussaint and many others, along with visiting US musicians like Jimmy Witherspoon, Slim Gaillard and more recently Greg Abate and Benn Clatworthy.

He works regularly with the Craig Milverton Trio, the hard-grooving Organology, and can often be found backing the well-known vocalists Louise Parker, Maggie Reeday and Annika Skoogh, or accompanying the fine sax player Martin Dale.  Also found with Steve Buckley, sax player and penny whistler from Loose Tubes, playing his compositions, and with whom he's had some great moments of free improvisation with Sam Richards and Pat Butterly. He's also the regular drummer in the Mike Westbrook Big Band, which has spawned the Very Small Brass Band featuring Dave Holdsworth on sousaphone.

He has also recently started playing with Jelly Roll - a dynamic blues trio featuring the legendary Julian Piper on guitar and vocals and Craig Milverton on the Viscount organ.

Visit Coach's website for more

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