Described by the late Humphrey Lyttelton as "formidable," Simon Spillett is a British jazz saxophonist who leads his own quartet featuring John Critchinson (piano), Alec Dankworth (bass) and Clark Tracey (drums). He has won several awards for his music, including the tenor saxophone category of the British Jazz Awards (2011), Jazz Journal magazine's Critic's Choice CD of the Year (2009) Rising Star in the BBC Jazz Awards (2007) and most recently the Services to British Jazz Award in the 2016 British Jazz Awards. Other celebrated jazz leaders and bands with whom he has worked have included Sir John Dankworth, Stan Tracey, Peter King and The Ronnie Scott's Jazz Orchestra. He has recorded three albums, Introducing Simon Spillett (Woodville Records, 2007), Sienna Red (Woodville Records, 2008) and Square One (Gearbox Records, 2013), all of which have received highly favourable reviews in both the specialist and national press. His festival, concert and club appearances across the UK have included sold-out gigs at Ronnie Scott's and the Brecon Jazz Festival and he has broadcast on BBC Radio 3's Jazz-Line Up with his own band. In 2016, Simon was appointed to the board of patrons of The Jazz Centre UK, alongside Sir Michael Parkinson, Dame Cleo Laine, Jools Holland and Van Morrison.
Steve began studying the clarinet at the age of 10, first with Cyril Chapman (clarinetist with the Royal Philharmonia Orchestra) and later with Colin Courtney (clarinet professor at the Royal College of Music). He was a member of the Bromley Symphony Orchestra from ages 14 to 18 playing anything from Haydn and Mozart to Stravinsky and Shostakovich. At 16 he took up the saxophone with a pile of Charlie Parker 78’s as his main guide and inspiration. He completed an Earth Sciences degree at Leeds University before deciding to become a professional musician.
He was a key member of Loose Tubes (the highly acclaimed 21 piece jazz orchestra that became the focal point of the British jazz renaissance of the 80s). During this time, he was closely associated with the London African and Latin American scenes, playing with bands such as Taxi Pata Pata (a top Zairean Soukous outfit) , Bosco D’Olivera’s Grupo Folia and Roberto Pla’s Latin Jazz Ensemble. His own projects included Orchestra Rafiki, co-led by long-time associate Chris Batchelor and featuring Kenyan Nyatiti player Ayub Ogada and Ghanaian drummer Nana Appiah, and also the Pigs Head Sons, another Buckley/Batchelor collaboration. He toured and recorded with Ashley Slater’s Microgroove, Norman Cook’s Beats International and the contemporary classical ensemble Jeremy Peyton-Jones’ Regular Music.
He has played and recorded with several Django Bates’ projects including The Third Policeman, Human Chain and Delightful Precipice.
His continued connections with African music led him to travel to Ghana to work with The Pan African Orchestra and with Kakatsitsi in the UK. He has also played and recorded with Massukos from Mozambique.
Steve’s main area of work has always been within the contemporary jazz scene, playing and recording with artists such as John Taylor, Julian Arguelles, Steve Arguelles, Eddie Parker, Iain Ballamy, Steve Noble, Billy Jenkins, Huw Warren, Christine Tobin, Phil Robson, Colin Towns, Seb Roachford, Mark Lockheart, Mike Outram, Joseph Jarman, Jonathan Joseph, Mark Sanders, Kit Downes and Leroy Jenkins. Steve’s close association with Chris Batchelor has continued with projects such as the internationally acclaimed Big Air, featuring Myra Melford, Jim Black and Oren Marshall. In 2006 Steve and Chris received the BBC Jazz on 3 award for best new work with “Ten Tall Tales”.
More recently he has played and recorded with the legendary South African pianist Tete Mbambisa and also with the newly re-united Loose Tubes.
Amy, from near Penzance, is a multi award-winning flautist, clarinettist and saxophonist now based in Northamptonshire. Voted winner of the Miscellaneous Category in the 2015 British Jazz Awards, and the Rising Star Category in the British Jazz Awards in both 2009 and 2011, Amy has earned an enviable reputation throughout not only the UK but also abroad. She has worked in prestigious venues and festivals all over the UK and across Europe and has become known on the jazz circuit as a charismatic performer. In 2011 she became the first woman in history to join the Big Chris Barber Band and spent four years touring with them throughout some of the most prestigious venues in Europe. Amy currently leads several bands which feature some of the most exciting musicians on the jazz scene. She also regularly makes guest appearances with other highly acclaimed ensembles and internationally celebrated orchestras.
Richard studied clarinet at the Royal College of Music, and is self taught on saxophone. He formed his own quartet and big band while still at college and quickly became a familiar figure on the London jazz scene, playing with a wide range of artists from the National Youth Jazz Orchestra to the Ink Spots. Richard has worked with many of the established big bands such as the Glenn Miller Orchestra (UK), the Ross Mitchell Band, the London Swing Orchestra and the Nelson Riddle Orchestra (UK). In the late 1990s Richard became a more regular name in the vintage jazz fraternity playing regularly with the Pasadena Roof Orchestra, Harry Strutter's Hot Rhythm Orchestra and the Charleston Chasers. Richard became a regular member of the Big Chris Barber Band in 2004, leaving at the end of 2014 to focus on his own career.
Andy is a prolific composer and arranger - although his own groups feature him on trumpet he also plays drums to an equal extent, and has performed with many big names in this capacity. Having grown up in Croydon, he took up a place at Bristol University to read Psychology and ended up settling in the city.
Over the past 25 years Andy has become well known in Bristol both as a performer and as organiser of weekly jazz venue The Be-Bop Club. He has released several CDs of his music, and appeared on four programmes of BBC Radio’s Jazz Notes during the 1990s. Besides his jazz activities he has played in many other settings, including the albums by Portishead, various theatre productions, TV [Waking the Dead, Cold Lazarus] and the soundtrack of the motion picture "A Good Woman" starring Helen Hunt & Scarlett Johannson.
Ben Waghorn started playing in local jazz bands in his home town of Bristol at the age of fourteen, before joining London based hard bop drummer Tommy Chase in 1989. Ben was also a member of NYJO between 1991 and 1995, touring and recording a number of albums during this period. Ben has a busy recording career playing for TV, Film and radio, and has recorded or performed with musicians and bands such as Kasabian, Portishead, Goldfrapp, Kasabian, John Matthius, Sonia, Sinita and Luke Goss. Theatre Work in London’s West End includes ‘West Side Story’, ‘Fosse’ and ‘Chicago’.
Ben is an Edition Records artist and is featured heavily with the Dave Stapleton Quartet on the album ‘The House always wins’, which was released to critical acclaim in 2007. A new album has just been recorded for release in early 2010. Ben’s Quartet album is also due for release in the same year.
He has been involved in a range of projects with pianist and composer Keith Tippett, including the ensemble ‘Tapestry’, a piece written by Keith for two saxophone quartets and the BBC singers, the Quartet ‘Work in Progress’ and The Keith Tippett Octet. Ben has toured and recorded with latin jazz group ‘Sirius B’ and been involved in many productions at Bristol’s Old Vic Theatre. He is also currently performing with the Dave Stapleton Trio and Duo, Andy Hague Quintet and Big Band, Resonation Big Band, Jim Blomfield’s band Septimbre, and Pedalmania with Hammond Organist John Paul Gard –a new album to be released very soon. He has played alongside John Critchenson, John Etheridge, Damon Brown, Andy Sheppard, Gilad Atzmon and Steve Waterman and has played at many Jazz Festivals nationally and Internationally.
Nathaniel Steele is a jazz vibraphone player and drummer based in London. Since his arrival on the scene, he has quickly gained a reputation as a talented musician to watch out for, described by Clark Tracey as "one of the best vibes players this country has ever produced." Principally self-taught, and following in the style of Milt Jackson and Cal Tjader, Nat takes a two mallet approach to improvisation, focusing on melodic interpretation and a great swing feel.
His “Nat Steele Quartet” is regularly featured at the Late, Late show at Ronnie Scott's and as a result he has recently attracted compliments for his playing from the likes of Benny Green, Joe Locke, Jason Marsalis, Harold Mabern and Eric Alexander, has studied with Mike LeDonne and had the good fortune to sit in with both Benny Green and Wynton Marsalis.
In September 2017 he launched his debut album, “Portrait of the Modern Jazz Quartet” on Trio Records, with the launch held at Ronnie Scott’s.
He’s travelled around the UK playing with his group, and alongside high-profile UK players such as Pete Long, Georgina Jackson, Allison Neale and others. He recently completed a tour of Eastern Canada, performing in Ottawa, Montreal and 3 nights at the great Jazz Bistro (formerly Top ‘o The Senator) in Toronto, as well as giving a very well received masterclass to undergraduate jazz students at the University of Toronto.
John Etheridge rightly enjoys a glowing reputation throughout the jazz world and beyond and has been described by Pat Metheny as, "One of the best guitarists". He is a prodigiously gifted and creative player whose approach to music can only be described as 'eclectic' as he refuses to accommodate or even acknowledge artificial musical boundaries. His range is well illustrated by his years of touring and recording with the iconic Stephane Grappelli while simultaneously doing likewise with the legendary jazz-fusion group, The Soft Machine. John is equally at home on acoustic and electric guitar and his willingness to engage with so many styles is matched by his ability to excel in any of them. He has played with John Williams, Yehudi Menuhin, Dizzie Gillespie, Herb Ellis, Mundell Lowe, Nigel Kennedy, Pat Metheny, Birelli Lagrene, Barney Kessel, Vic Juris and countless others. John's ability as an outstanding composer is sometimes overlooked but he is often under pressure from audiences to feature more of his own material.
John's promise was evident even during his earliest days of playing and he received recognition and encouragement from both Jimi Hendrix, whose comment was "You're great", and Eric Clapton, who told him after a gig, "You're not a great blues player but you're a great guitarist." After graduating in the History of Art in 1970 from Essex University and returning to London, John started to get seriously noticed when working in the various bands such as ex-Curved Air violinist Darryl Way's Wolf, an early jazz/rock outfit with whom he recorded three albums. Others included Icarus, Abednigo (which had a woodwind player named John Altman, later to become a famous film director), the short-lived Warhorse and the wonderfully-monikered Global Village Trucking Company. His 1975 leap into the front rank came when he was contacted by The Soft Machine after they had been given his number by the departing Allan Holdsworth.
JE: "The album 'Bundles' was just out, and I started by promoting that. Then we did this great Summer tour with Mahavishnu Orchestra, Soft Machine, Caravan, Climax Blues Band, Wishbone Ash, all together, on this Hercules transport aeroplane, flying at 80 miles an hour - took about 4 hours to fly from Stuttgart to Marseille !... Unfortunately, the whole thing went bankrupt in the middle of it".
The Soft Machine enjoyed legendary status as Europe's premier jazz-fusion exponents and John made a real impression as part of the band. This stage of his playing career is celebrated in the 2006 released DVD 'Guitar Legends' (see other cd's).
It is a measure of both the breadth of John's ability and the recognition and regard he commanded from fellow musicians that less than a year after joining The Soft Machine, the great Diz Disley suggested that he would be Diz's ideal successor to play alongside the stellar jazz violinist and ex-sparring partner of Django Rheinhardt, Stephane Grappelli. When John met up with Stephane (on a borrowed Framus acoustic guitar), he did not consider himself remotely to be a 'Django' player but he knew the repertoire and was a great improviser. He clearly made his mark because he spent the next 6 years touring the world in collaboration with Grappelli in what he describes as one of his happiest times in music; he certainly refers to this period with great affection. So John was playing and recording simultaneously in these two very different set-ups, each at the pinnacle of their very different traditions - an achievement indeed! John played on a number of recordings with Stephane including two which featured the peerless classical violinist, Yehudi Menuhin.
Incidentally, while with Grappelli, John played a vital role in helping launch the career of another noted British guitarist when he introduced a certain Martin Taylor into Stephane's band.
Through the eighties and nineties, John could be found honing his craft and extending his range even further with collaborations with the likes of Vic Juris and Dick Heckstall-Smith. In the late seventies and early eighties he played a series of solo concerts in Australia (where he was given an early Smallman acoustic guitar by its admiring maker) and went on to play duo dates in the USA with bass-player Brian Torff with whom he had worked in the Grappelli band. During 1985, Etheridge worked with fellow guitarist Gary Boyle in both duo and quartet setups. Between '89 and '93 he then toured with Whatever led by the ubiquitous ex-Pentangle bass-player Danny Thompson and joined luminaries such as Alan Skidmore, Stan Tracey and Henry Lowther on the 1990 album Elemental. Around this time John was also working frequently with Elton Dean as the Elton Dean/John Etheridge Quartet with a rhythm section comprising of Fred Baker and Mark Fletcher on bass and drums respectively. The great Manouche guitarist, Birelli Lagrene was another touring partner in what was a gypsy jazz feast for their audiences.
John's theme of working with the cream of violinists was to continue when he played with Didier Lockwood, featuring on his first album, New World, as part of an all-star line-up including Gordon Beck (piano), Tony Williams (drums) and Niels-Henning Ørsted-Pedersen (bass). With Ric Sanders he then formed the band Second Vision and recorded the eponymous album. From 1993 John toured extensively with Nigel Kennedy and was featured on the 1996 album 'Kafka'. 1994 saw John joining his long-time friend and ex-Police guitarist Andy Summers for a world tour and they released the album 'Invisible Threads' as a duo. Here is a great quote from an ex-colleague of Andy's: - "I never wanted to be a star, just a highly respected musician like John Etheridge" Sting (The Guardian 1981)
The Etheridge schedule is busy, some would say frenetic, and it includes work with a number of regular accomplices; his 'hot club' style band 'Sweet Chorus', is a personal homage to Grappelli and takes the gypsy jazz form to new and inspiring places – a superb rhythm section of Dave Kelbie (guitar) and Malcolm Creese (bass) with JE and the sublime violinist Christian Garrick swapping solos make this a band not to be missed. The Soft Machine Legacy was made up of members of the original band (John Marshall, Hugh Hopper - John himself was with the band from 1975) until the unfortunate passing in 2006 of Elton Dean who has been succeeded by Theo Travis. The new band retain all that made The Soft Machine one of the most important fusion bands ever while bringing a freshness and new vitality that just adds to the legacy. Then there is 'The Zappatistas', an exhilarating eight-piece line-up playing the music of the irreplaceable Frank Zappa with John excelling in the great man's role and co-leading the band. There are regular performances with innumerable fellow 'greats' of the jazz world, with other noted guitarists from a range of genres, with Pete Whittaker, Mike Pickering and Julian Siegal in 'Blue Spirits'; the list just goes on...
In July 2006, John began touring a great new programme in a duo set-up with John Williams, the most celebrated classical guitarist of this generation. The two Johns have worked together before, most notably on their interpretations of African music with Francis Bebey, Richard Harvey, Chris Laurence and Paul Clarvis and documented on the CD 'The Magic Box'. John Williams had always retained a desire to explore further the enticing combination of classical and steel-string guitar and got back in contact with John to realise this ambition. The result is stunning! John Williams rightly describes this pairing of classical and steel-string as a 'first' even though he hates that term. Musically, the project dips again into the wellspring of the great African influences but it offers so much more including a sensational and technically demanding suite, newly composed for the two Johns by the American composer and guitarist, Benjamin Verdery. The programme was recorded live at the Dublin International Guitar Festival and is scheduled for release by Sony in October 2006. The tour continues into 2007 with dates across the US and elsewhere.
The coming together of these two great players is a genuine musical milestone, not just in their performance but also in their instruments. When John was looking for the 'right' acoustic guitar, the legendary Oregon-based luthier and dyed-in-the-wool Etheridge fan, Charles Fox, offered him the 'ergo noir', an innovative and groundbreaking instrument that was described in the prestigious Vintage Guitar magazine as 'a guitar that has redefined the acoustic steel-string…….one of the first notable lutherie achievements of the new millennium'. Fitting then, that the European debut of the ergo should be onstage alongside the equally revolutionary Smallman classical guitar that John Williams adopted in the early eighties. Williams' fellow-Australian Greg Smallman had then devised and constructed an epoch-defining instrument which changed the design paradigm for classical guitars. Now, with John Etheridge's enthusiastic adoption of the ergo, its steel-string equivalent has found its way to this meeting of guitar greats.
A measure of the universal respect for John's accomplishment and skill was his nomination as one of just three finalists for the highly prestigious award for the 2006 Jazz Musician of the Year, presented on May 10th at the Parliamentary Jazz Awards ceremony at the House of Commons.
In 2007 Williams and Etheridge undertook a months tour of the USA ,which was followed in 2008 by a tour of Australia and New Zealand. The duo continue to play concerts in England and Europe and another U S tour is mooted for 2013.
Last year saw John appear- alongside Richard Thompson, James Burton and others at a guitar night at the South Bank as part of the Meltdown Festival, play 2 nights at the Edinburgh International Festival (the first time Jazz had been included in the main Festival),and perform 5 times at the London Jazz Festival, in various formats, as part of a celebration of his 40 years in "Showbiz".
A yearly highlight is a week's engagement at the Pizza Express - featuring a stellar cast of guests.
Born in Naples 1959. Renato began to study the saxophone on 1979 at the age of 20, with virtuoso sax player Antonio Andolfi, then with Sal Nistico, Steve Grossman, Tony Scott.
He started his professional career playing with Giovanni Tommaso big band for Pupi Avati’s tv program in 1986/87.
In 1987 he received a full tuition scolarship from Berklee college of Boston.
International tours followed in 1991 with Tony Scott and on 1992 Renato toured Japan with Yoshida Masahiro trio.
In 1993 and 1995 he toured Japan again with same trio.
Tours of Europe with Art Farmer and Rachel Gould in 1996/97.
His composition credits include music for an opera entitled “Seven Red Doors” by writer Oberto Airaudi and several co-productions for IRMA Records as sax player and producer.
In1999 became resident in UK.
Alex Garnett has been one of the leading saxophonists in the UK and Mainland Europe for over two decades, being instantly recognized by his dark, husky sound. A versatile musician and first call sideman, he has enjoyed success as both a jazz artist, composer and arranger, and an in demand session, studio and commercial saxophonist, having racked up countless recording credits along the way. A ubiquitous performer with many of Europe’s leading bands from underground to pop, he’s a regular sideman of choice for many visiting American artists when touring in Europe, and has performed in over 30 countries worldwide appearing at such venues as the Blue Note, Birdland, as well as the Perugia, North Sea, Vittoria, Montreax, and Oslo Jazz Festivals to name but a few, with varied and diverse artists across the spectrum such as Sir John Dankworth, Wynton Marsalis, Pete King, Humphrey Littleton, Scott Hamilton, Van Morrison, Evan Parker and The Rolling Stones, as well as with his contemporaries Gareth Lockrane, Seamus Blake, Phil Robson, Michael Janisch, Joel Frahm, and more. Although Alex has accumulated one of the most impressive biographies of any saxophonist in Europe of his generation, he did not release his own solo album until the age of 40 in September of 2011. Recorded in NYC at Systems Two Studios, Garnett’s debut album Serpent features drummer Willie Jones III, Anthony Wonsey on piano, and bassist Michael Janisch, while showcasing eight original compositions from the leader. The album proved to be one of the most anticipated debuts for years in the UK, winning universal acclaim by press, fans and musicians alike. As of late Garnett can be seen at his weekly late-night residency at Ronnie Scott’s Jazz Club in Soho every Monday and Tuesday while not touring, and released his second album with his new band ‘Bunch of Five’ in January of 2015. Titled Andromeda, it features long time musical associate and fellow tenor saxophonist Tim Armacost, pianist Liam Noble, bassist Michael Janisch and drummer James Maddren.
Brought up around the sounds of jazz by a music-loving father, Quentin had seen many of the greats by a young age, including Dizzy Gillespie, Lionel Hampton & Dave Brubeck. This had a profound influence upon his decision to become a professional musician.
In 20 years as a professional, Quentin has established himself as one of the UK’s top Jazz/Commercial trumpeters, having performed, toured and recorded with a plethora of internationally renowned artists across many genres. These include Fred Wesley, Gregory Porter, Mark Ronson, Kyle Eastwood, Omar, Basement Jaxx, Roy Ayers, Alicia Keys, Dennis Rollins and Mulatu Astatke.
Quentin released his debut solo album, ‘If Not Now, Then When?’, on SunlightSquare Records in 2007. It received much critical acclaim:
"Proving that Collins knows a thing or two about good
song writing, ‘If Not Now, Then When?’ is an impressively intense debut."
“This debut album by England's top young trumpet master is breathtaking
from start to finish, and is sure to catapult Quentin
to stardom and yet more critical acclaim.”
MOJO magazine voted ‘If Not Now, Then When?’ one of its top jazz albums of 2007.
Quentin currently co-leads QC/BA, a Hammond-organ quartet with tenor sax titan Brandon Allen. QC/BA released their latest album, ‘Beauty in Quiet Places’, in September 2015 on Ubuntu Music. Some of the comments by the critics are below:
“It's so damn infectious, it's almost impossible to resist!"
-Blues & Soul Magazine
"Provides the listener with a dazzling array of solos from all four musicians,
especially the two leaders.”
-UK Vibe Magazine
"From the up-tempo flavour of 'Fuerteventura' through the foot stomping 'Handshake' to
the full-on workout of 'Modal Tranesition', the listener is instantly gripped by
QC/BA's thrilling slant on the post-bop tradition."
-UK Vibe Magazine
"Superb album...absolutely contemporary and of the moment."
QC/BA’s debut album, ‘What's It Gonna Be?’, released in May 2011 on Sunlightsquare Records, was greatly acclaimed by the critics.
"This talented quartet get the full five stars, not only for performing brilliantly
here but also for playing the type of jazz few can master - namely bright,
tuneful neo-bop originals that swing from start to finish.”
-Jack Massarik, Evening Standard
For the past five years, Quentin has toured the world extensively with the Kyle Eastwood Band. Their latest album, ‘Time Pieces’, was released worldwide on JazzVillage in April 2015. ‘Time Pieces’ was the follow-up to 2013's highly acclaimed release, ‘The View From Here’. Quentin is prominently featured as a performer and a composer on these two recordings.
In early 2015 Quentin Collins & Martin Hummel formed Ubuntu Music with the clear ambition to help nurture young & gifted artists and connect them with wider audiences. Quentin's role as Artistic Director allows him to develop his skills as producer, overseeing the various musical aspects of the album-making journey. Projects so far have included producing Noemi Nuti's "Nice to Meet You" & Camilla George's recent "Isang", both highly acclaimed, and an integral role in producing young tenor sax tyro Leo Richardson's upcoming debut album, to be released Autumn 2017.
Presently, Quentin hosts a twice monthly residency at London’s prestigious Ronnie Scott’s Jazz Club with his current quartet, featuring Andrew McCormack on piano and Gene Calderazzo on drums. He will be recording a new album during 2016 on Ubuntu Music with this line-up.
First started playing saxophone and clarinet whilst at art school in Bristol. His reputation as a broad-toned, swinging tenor player soon grew and he joined the Pasadena Roof Orchestra in 1986. The next ten years saw him touring with the band throughout Europe, the USA and the Far East, and appearing as featured soloist on six of their albums.
Since leaving the Pasadena Roof Orchestra, Robert has worked with many bands and has also released his own CD entitled Front and Centre, which demonstrates the strong influence on his style of some of the greats of the classic jazz era - Coleman Hawkins and Ben Webster. He has also been working and touring with Bryan Ferry on his recent album As Time Goes By.
Gareth Lockrane started playing at the age of 10 and after raiding his dad's record collection discovered jazz at 14. Early influences included Cannonball Adderley, Miles Davis, John Coltrane, Charlie Parker, Bill Evans and Stan Getz on the jazz side whilst also being transfixed by the great blues-rock guitarists of the 60s and 70s as a child - Jimi Hendrix, Albert King, Eric Clapton and Buddy Guy continue to be major influences. On flute the initial main inspirations were saxophone "doublers" like Frank Wess, James Clay, Roland Kirk, Bobby Jaspar and James Moody and later on he fell under the spell of flute visionaries like Jeremy Steig, Eric Dolphy, Hubert Laws, Paul Horn and Eddie Parker amongst many others.
In 1994 he enrolled on the jazz course at the Royal Academy of Music in London where teachers included Stan Sulzmann, Martin Speake, John Thomas and Eddie Parker and where he struck up musical relationships with fellow students the Fishwick brothers, Tom Cawley, Osian Roberts, Orlando le Fleming and many others. In 1997, his band "The Jazz System" formed with Osian Roberts was a finalist in the Vienna Jazz Festival Grande Concours de Jazz. In 1998, he studied on the Lake Placid Jazz Course in New York with Joe Lovano, Dick Oatts and Jim McNeely and in 2000 was a finalist in the Young Jazz Musician of the Year competition.
Around this time he began to expand his flute family of instruments to include piccolo, alto and bass flutes as well as the standard C flute.
In 2002, he formed the band Grooveyard with saxophonist Alex Garnett which released a critically acclaimed CD "PUT THE CAT OUT" which went on to win the Best European Jazz Group award in the 2003 Granada Jazz Festival. Grooveyard completed a successful Jazz Services tour of the UK in 2005. Their 2012 album "THE STRUT" is the 'sequel' to PUT THE CAT OUT and has been released on the fabulous independent jazz label Whirlwind Recordings. LINK TO WHIRLWIND RECORDS! "THE STRUT" was named "Jazz album in the year" in MOJO magazine!
From 2006, in search of some fresh musical challenges he enrolled on the prestigious MA course in film composition at the National Film&Television School,graduating in 2008.
He also founded his own septet which released the album "NO MESSIN" in 2009 and went on to win best album in the Parliamentary Jazz Awards that year. This band features Robbie Robson (trumpet), Steve Kaldestad (sax), Trevor Mires (trombone/euphonium), Robin Aspland - (piano) Matt Miles (bass) and Matt Home (drums).
He has formed his own big band, a fruition of all Gareth's musical interests - combining his cinematic influences of greats such as Jerry Fielding, Lalo Schifrin and Bernard Herrmann with the soul jazz and unrestrained improvisatory nature of Grooveyard and the intricate through-composed nature of his septet writing. Making their debut in the 2008 London Jazz Festival and influenced by, amongst others, Gil Evans, Maria Schneider, Kenny Wheeler, Jim McNeely, Thad Jones, Basie, Mingus and many more,the band blends heavy grooves and luscious orchestrations to spectacular effect. The band play almost exclusively Gareth's compositions and arrangements. Watch this space for an album of this band some time in the near future!
As a sideman,Gareth has been involved in many diverse projects - as a key member of the late great Bheki Mseleku's group during his last years from 2005 to 2008 and also with the James Taylor Quartet, Phil Robson's IMS Quintet featuring Mark Turner, as a featured soloist with Tommy Smith's Scottish National Jazz Orchestra, Laurence Cottle's Big Band, bands led by Asaf Sirkis, Michael Janisch, Brian Charette, Michael Kiwanuka, Xantone Blacq, Kate Williams,Bokani Dyer, Guida de Palma, Heritage Orchestra, Adam Glasser, Claudio Passavanti, Dan Messore, Patrick Cornelius, Sheryl Bailey, Callum Au Big Band, Simon Woolf, Incognito, Max Luthert, Georgia Mancio, Tristan Mailliot, Dave Preston, Nia Lynn's Bannau Trio, Hans Koller, Sirius B, Anita Wardell, Natalie Williams, Paul Booth, Gwilym Simcock Nonet and Big Band, Tom Richards Jazz Orchestra, The National Youth Jazz Orchestra and many more.
Gareth is also heavily involved in the music educational world, as course director of the prestigious junior jazz course at the Royal Academy of Music in London, as well as regularly teaching at degree and post grad level at the Royal Academy of Music, Guildhall School of Music&Drama and Trinity College of Music, and teaching flute at Kingsdale School in Dulwich. He also teaches regularly on the National Youth Jazz Collective courses across the UK, and every August on the residential Loire Summer School in France run by drummer extraordinaire Tristan Mailliot.
"I also enjoy learning new instruments for fun! As well as keeping my piano chops up, currently on the boil are alto and tenor saxes, EWI, chromatic harmonica and many different ethnic flutes and whistles, and also a space-age sonic array of delays and guitar/synth effects to use with the flute that i'll bring to any gig where the other guys in the band will put up with it. Watch this space!"